The stranger essay questions

Albert Camus' idea of morality in 'The Stranger' is completely unconventional and this can be seen through the protagonist who is a total embarrassment to the society in which he finds himself. This disparity between what is expected of Meursault and what he displays forms the basis of Albert Camus' philosophy of morality. There is a big question mark on conventional morality which the author finds to be absurd. He seems to be questioning the fabric of societal morality on grounds of motivation; are some of those values upheld merely for con... Read more →

After the film fell into the public domain , a number of poor-quality versions of The Stranger were released by various sources. Some versions were duplicated from second- or third-generation releases, and were severely and badly edited. [29] An archival restoration was released on DVD and Blu-ray Disc by Kino Classics in October 2013. Kino's release was mastered from a 35mm print at the Library of Congress . The release includes audio commentary by Bret Wood . The DVD includes excerpts of Death Mills (1945), a . War Department documentary on the Nazi death camps directed by Billy Wilder . Other extras include four of Welles's World War II radio broadcasts: "Alameda" ( Nazi Eyes on Canada , 1942), "War Workers" ( Ceiling Unlimited , 1942), "Brazil" ( Hello Americans , 1942), and "Bikini Atomic Test" ( Orson Welles Commentaries , 1946). [30] The disc is not captioned for the deaf and hard of hearing. [31]


In the weeks since, I've made a conscious effort to replay those words and that scene at the beach in my mind. We were sticky with sunscreen, hair tangled from the wind, hands full of stuff, dragging our babies through the sand, and instead of seeing chaos, that man saw us as a beautiful memory of his own young family. We were the highlight reel.

The potty training accidents, the endless snack requests and subsequent spills, the constant fight over the need to actually be buckled into a car seat — these may not be the highlights of each day, but somewhere along with that first baby smile, the hilarious comments only a toddler is capable of making, and the out-of-nowhere hugs that make you want to freeze time, they all combine to make one amazing lifetime of experiences.

The challenge is remembering that the next time your toddler intentionally throws a plastic fire truck at your infant's head after they both refused to nap all day and you just realized there's no food in the house for dinner. Man, these are the days.

Sadeq Rahimi has noted a common relationship between the uncanny and direct or metaphorical visual references, which he explains in terms of basic processes of ego development, specifically as developed by Jacques Lacan 's theory of the mirror stage . Rahimi presents a wide range of evidence from various contexts to demonstrate how uncanny experiences are typically associated with themes and metaphors of vision, blindness, mirrors and other optical tropes. He also presents historical evidence showing strong presence of ocular and specular themes and associations in the literary and psychological tradition out of which the notion of ‘the uncanny’ emerged. According to Rahimi, instances of the uncanny like doppelgangers , ghosts , Déjà vu , alter egos , self-alienations and split personhoods, phantoms, twins , living dolls, etc. share two important features: that they are closely tied with visual tropes, and that they are variations on the theme of doubling of the ego. [11]

The stranger essay questions

the stranger essay questions

Sadeq Rahimi has noted a common relationship between the uncanny and direct or metaphorical visual references, which he explains in terms of basic processes of ego development, specifically as developed by Jacques Lacan 's theory of the mirror stage . Rahimi presents a wide range of evidence from various contexts to demonstrate how uncanny experiences are typically associated with themes and metaphors of vision, blindness, mirrors and other optical tropes. He also presents historical evidence showing strong presence of ocular and specular themes and associations in the literary and psychological tradition out of which the notion of ‘the uncanny’ emerged. According to Rahimi, instances of the uncanny like doppelgangers , ghosts , Déjà vu , alter egos , self-alienations and split personhoods, phantoms, twins , living dolls, etc. share two important features: that they are closely tied with visual tropes, and that they are variations on the theme of doubling of the ego. [11]

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