Font thesis lucas de groot

In the italic, the expansive ascenders of Tagliente's type were shortened and the curl to the right replaced with more conventional serifs . Monotype also cut italic capitals sloped to match the lower-case, whereas in the Renaissance italics were used with upright capital letters in the Roman inscriptional tradition. The bold (Monotype's invention, since Griffo and his contemporaries did not use bold type) is extremely solid, providing a very clear contrast to the regular styles, and Monotype also added lining (upper-case height) figures as well as the text figures (at lower-case height) used in the fifteenth and sixteenth centuries. [77]

[…] All Popular Font Families in one Typeface Poster. Study it. Stare at it when you’re meditating. Lose yourself in it when you’re zoning out. It’s awesome. Absorb the shapes and let yourself pair them with the names. It’s not as great a resource as the huge poster I had on my office wall when I was first starting out—sadly, I can’t seem to find it anywhere on the interwebs, or I’d show it to you**—but it’s an excellent and handy resource to help familiarize yourself with the Greats. (And be sure to check out some of the links provided at the bottom of the poster, like this one.) […]

Font thesis lucas de groot

font thesis lucas de groot

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